"Suspended" = "in-between"
It is no coincidence, I think, is precisely as an architect prof. Wise, dedicated to the study of the influence of IT on contemporary architecture, to become aware of the discovery of Caravaggio's a new space. Essay defines a space that "in the balance" because neither inside nor outside the picture but << intermedio e nuovissimo che si pone tra la profondità negata dello spazio prospettico dentro il quadro e una nuova spazialità invocata fuori del quadro >>.
Wise says in addition to the artist destroys the very idea of \u200b\u200b"window - frame." Operation similar to what they will do with the lot from the architects Gropius onwards.
The lot like the window-frame, then, that defines and prospettivizza.
If I think now the space "outside" of the picture, easy for me to compare it to the city. Here then the analogy between space "in the balance" and in which Michelangelo Merisi places his characters and space "in between" in which Eisenman, architect of IT, places the volume of its architecture, eg, the Wexner Center on campus of Ohio.
In addition, both through space with "carriers" (as he calls them wise) for Caravaggio, eg the arm of Virgin, Eisenman corridors connecting enclosed by a wire mesh cage. These vectors are used in both cases, to unify the space (inside - outside) and to assist the observer in depth reading of the composition is in the first case, by encouraging them to follow up with the look in depth at the end feeling a sharer in the scene, while the second is persuaded to go into.
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