Wednesday, January 27, 2010

How To Make Cake Paint



FILMS OF DARIO ARGENTO

I FILM DI DARIO ARGENTO, Roberto Lasagna e Lino Molinario


Authors: Roberto Lasagna Lino Molinario


Publisher:
falsopiano , Alexandria, 2009


Collection: Light


Pages: 224


Format: 11.5 x16


Price: € 13


Language: Italian

Index:

Introduction
- Slag of the past

L ' image that reveals

Stilemi death

Visions from the edge

Like inside a tunnel

The place of oblivion

Forget

The tale begins

Before the revaluation

Under the eyes dell'assassiono

hyper-sensitivity

For your eyes open

Travel America

Asia

The State of Things

The ghost of freedom

The artist and the stove fitter

The "ransom"

Filmography

References


Talk about Dario Argento today is not easy. It is not because the criticism that rained on him for over a decade appear to be nearly unanimous positive reviews and read in the aftermath of The Dealer or The Third Mother are very few. But above all it is not because the yellow Italian maestro who wrote so many. Roberto Lasagna and Lino Molinario but do not fall into the traps into which would be collapsed if they had written with the specific purpose to evade the two difficulties mentioned above, the authors opt for an intellectually honest approach as possible silver and this universe is undoubtedly the most correct. Do not expect it to be original in strength and thus circumvent the risk of lead in the above-mentioned using analysis turns on the side of over-semiotic.

Simply: the chapters are more or less, the film directed by Dario national and the two authors give a personal reading and careful to treat his film with a look somewhere between that of the biggest fans and critical more damaging, taking the helm dell'intelleggibilitĂ  straight: indeed surprising as the volume, compact and portable to tell the truth, can be eaten with such facililtĂ , also because of the attention, sometimes exaggerated, the plot of each film. To underline the interpretation of new work argentiani: films like The Third Mother and I'm not sleepy are in fact analyzed by finding the elements of continuity with the director's other films, often exceeding the limits imposed by a critical analysis closer to demolish the figure to reflect on strengths and weaknesses of some works not very successful.

Speaking of the work of Dario Argento Taking apart on their end would be impossible, so watch out spoiler to .

Michelangelo Pasini

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