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Author: Gian Piero Brunetta
Publisher: Addison , Rome, 2004
Series: Scenes time
Pages: 179
Size: 13.5 x18, 5
Price: € 16
Language: Italian | Index:
Introduction
1. Writing with light
- The pencil of nature
- First Film
- The effect
cinema - Cinema is my father
- Music and chromatic visual symphony
- Virus and fertilizing element of literature
- A source of literary inspiration and linguistic
2. The Great Migration
- A new Bible of the poor
- From the library of the Italian film library
- The Diva as the Light of a new day of the show
- The posters of cinema: the new forms of urban
- The first reminders of the celluloid
- Father Dante art in heaven movie
- Metamorphosis of melodrama
3. Place of memory
- The titles of the film as bait, scents and pots madeleines memory
- In the name of Lux, the splendor and Palladium Lucifer ...
4. The fatal attraction, or the smell of money
- The "Novissima force"
- Dangerous Liaisons
- Passing was
- Giovanni Verga between traps and illusions
- Viva St Cinema
5. Ferdinando Martini, the stone guest of Italian cinema
- Gold Shimmer and flashes of war
- music, words and silences
6. The long shadow Pirandello Italian cinema
- Pirandello, "necessary angel" of the film story of the twentieth century
- From Serafino
to The Truman Show - a Moloch that devours the soul
- The addition
7. Futurism
- The screen as a place of forward flight
- Cinema, the new weapon of modern
- Pirandello Futurist
8. The Chinese-graffiti Notebooks by Emilio Cecchi
9. Change of state and the invention of a language for the screen
- Looking for a new role and a new identity for the writer
- Literature, ferry to the reality
10. Autobiography of homo cinematographicus
- Cinema as a world and as a teacher of life
11. A soul divided into two
- An army of Completion
- Alberto Moravia, Mastro Geppetto film criticism
12. The dream of things to talk
13. The cinema as a source of food and literature
- Traces of celluloid in the head and on the page
- Think and write images
- The screen light source of literary inspiration and Pentecostal
- The last child of the cinema
14. Literature as habitat
- from literature to the recreation of a perfect world and parallel
- Orchestrating literature, geography and history with a time machine
- The Long Journey of Pasolini in the classic
The places of memory
Index of names | In 1972 a young brunette gives published an important essay, Intellectuals, cinema and propaganda between the wars , who launched one of the promises of the new Italian film history. More than three decades after Brunetta, in the meantime the Italian film history has taken the almost pontifical, returns with this Italian intellectuals and film in his tracks, reworking and expanding throughout the network of relationships between cinema, especially Italian, and several generations of intellectuals who have approached. The specificity of
Brunetta, as a scholar and as a historian, is to always consider the movie phenomenon as the result of pressures from multiple forces of society. Not only an artistic phenomenon, but also social, economic, political and cultural. Needless to say, from this perspective, the more unusual than you might think, the film can re-emerge in every corner of Italian society. Including, of course, the intellectual component.
But certainly we should not expect a simple mapping from the Paduan scholar of intellectuals in some way related to the movies, but a survey based on the plurality of looks and how you experience the relationship between cinema and actors (including background) of the Italian culture.
materials viewed through the endless sharpness of the scholar emerge unpublished reports, dynamic and unthinkable. If in the production of
Brunetta this paper may be considered minor, a work in progress, there are also the crucial steps that have the merit to shed new light on research methods and routes of writing the author. What is missing is, however, a bibliography, whose heavy absence is offset by an appendix where you map the most funds and archives prestigious Italian intellectuals: the aspiring researcher can not accept that.
Joseph Fidotta
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