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Author : Pupi Avati
Publisher: Garzanti, Milano, 2010
Collection: -
Pages: 191
Size: 13x20
Price: € 14
Language: Italian | Index:
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The book by Pupi Avati (which transposition in the film will become the third part of a trilogy that began with Dinner for them to know I and continued with the father of Joan , focusing on the figure of fatherhood) has as its driving force the protagonist, Luciano Baietti. Defined in the lapel of a fixer volume of Italian commedia dell'arte, the character of those that everyone envied least once in their lifetime. Perpetually on the brink, double agent, exaggerated with women in business and friendship, always on the brink of the precipice, always one step away from the brink, but always saved by luck, talent, friendship and fate. And 'the character from the life that never sleeps, with the adrenaline that every employee dreams while sitting at his desk, workstation more solid and relaxed compared to that of Luciano Baietti, but certainly a lot less glamorous. Set in the early nineties Bologna The youngest son is, as the writer-director has always been used, so the photograph of a particular description a handful of unscrupulous characters but at the same time fun and easy-going manner, as a true slice of Italian history, a slice of our world that we can not risk losing it would be better to stop and to suffer the bizarre fascination .
The youngest son is the classic book by two sleepless nights: the gift that we have stacked under the other because the writer did not sound Anglophone, one day, or should I say night, turn on the television to try to sleep, and when the trailer of the film hammers, we are reminded of that strange book with an electric guitar and sneakers on the cover, take it in hand, and then ensure that the sleep goes seriously. Tight situations and dialogues, writing slide, little space to descriptions, the narrative of Avati flows as Kezich says, "like a tap running." Perhaps the morning will come too soon, it will need another sleepless night to finish the volume. And then jump, and then only on film.
Michelangelo Pasini
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