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PASOLINI - THE DOCUMENTARY OF POETRY

Author: Marianna De Palma Publisher: falsopiano , Alexandria, 2009 Collection: Cinema Pages: 228 Size: 15x21 Price: € 15 Language: Italian

Index: documentary Pasolini Italy between "magic" and the Third World Foreword by Raffaele De Berti Introduction 1. Cinema of Poetry - Poetry Film 2. Inspections movies - The Third World in the "documentary poem" - Subjects for documentaries 3. The Third World Pasolini - Alternative: ... filthy and gorgeous sun of Africa - It 's this limitless world farmer that I regret - anthropological mutation - mutation cinema: the popular national elite - of the ancestral and neo-capitalism: from Furies in Eumenides 4. Documentaries and subject - The father wild - The subject - Anger - Locations in Palestine - Notes for a poem about the Third World - Episodes: Arab countries, South America, the Note father wild, Ghetti North America, the film on India Note - Notes for an African Orestes - The subject: the white Athena - Events: search for people and places - The formal democracy - Additional notes: the story - Daily life in Africa New - The Walls of Sana'a 5. Notes for a Film on - Subject: History Indiana - The look: The smell of India - The bourgeoisie, the "establishment" Hindu, Nehru - Meeting with the Indian religion - History. The story of the maharaja - Note: jataka and a spirit of charity - Display style: Flaherty - A documentary for the RAI Interviews Romano Costa The film - Analysis of the sequences - Technical Appendix - Author's Note - References

not to believe. That after so many years, many books and spending many words (too often and inappropriately, alas) someone still manages to take over directing the work of Pier Paolo Pasolini and write a book not only original and interesting but as far as possible, new . Reads the back cover, the theme of the book is "The relationship between the mythical world, archaic, sacred and the advent of modernity," designed by a method of analysis to fully grasp the "poetry of Pasolini's documentary is forced to move away from those areas that mediate wisely dream and reality, mysticism and tragedy, and become too precise and informed. Moving Pasolini Archives of Bologna and any other content which is a memo, a letter, a manuscript by Italian artist, Marianna De Palma documentary traces the genesis of episodes as Notes for an African Orestes , Clipboard for a film on India , The Walls of Sana'a , starting from the very first notes on the subject, describing the visits and contacts, and Finally, by analyzing the final product. For Notes for a Film on takes the same path but adds film analysis, breaking down the individual sequences in the film, comment one by one with the aid of pictures (in black and white and a bit 'too blurry) , with a particular interest for Pasolini's form and technique of this particular work: the author says that the director already at the embryonic stage was stressed several times directing and shooting ideas that should have been the basis for implementing the his "short and dramatic" experience in India. Essential for the enthusiast who wants to add another piece to his knowledge of poetic pasoliana, but also good (especially in the first half) to the Italian filmmaker who knows only his works of fiction and his desire to approach documentary filmmaking. criticized the decision to enter notes to the text at the end of each chapter. Michelangelo Pasini