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This message runs the network in various languages \u200b\u200bfor quite some years and yet it is unclear whether this is an urban legend or a linguistic phenomenon supported by evidence.
If you want to do your part of experiments you can use a software (for Windows) that automatically recombines all internal letters of words in a text. Download
to know the strange story of this strange letter and how he sparked the interest of linguists can read this investigation (in English).

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AGE 'THE EYE - THE FILM AND AMERICAN CULTURE

Author: Franco La Polla Publisher: Lindau, Torino, 2000 Series: Essays Pages: 276 Format: 14x22.5 Price: € 14.46 Language: Italian

Index: Abstract Authors - Some versions pastoral: the invention of Frank Capra "Screwball comedy" - The attendance of Darkness: Orson Welles between Ishmael and Barnum - depend on outsiders: Elia Kazan and American literature - Prepare time: brief notes on the first appearance Roger Corman - Corman and Poe: Final Following a release without - Revelation and Entropy: Robert Altman and American culture - Russ Meyer: reality to the degree exclamation Film - "Daisy Miller" by Peter Bogdanovich - "Tobacco Road" by John Ford - "I do not want to miss" by Mitchell Leisen - "Wise Blood" by John Huston - "Blade Runner" by Ridley Scott - "The Dead Zone" by David Cronenberg - "The Mouth of Madness" by John Carpenter - "Texasville" by Peter Bogdanovich - "Forrest Gump" Robert Zemeckis - "Quiz Show" by Robert Redford - "Amistad" by Steven Spielberg Issues - History and fantastoria: American diversity - fiction and historical reality in the cinema, that is: watch TV - deny the pleasure and eroticism in the 30s' 40 - Cinema and Beat Generation: the right to historicizing - Hollywood, drugs and creativity, ie: use your brain - Parliament when he asked: cinema and American-Jewish humor - Rice, death and devils: Woody Allen and his brothers still on Marx - Talking to Ninotchka, namely: that remake? - From creation to the universal prejudice: the science fiction television in the '50s - "X-Files": The horror of thought between science fiction and parody - thirty years after the hyperreal Indices - Index film - Index of names

When it comes to American cinema, you can not ignore the enormous contribution of critical and historiographical Franco La Polla. Without academic academics and teacher for over thirty years of Anglo-American Literature and History of North American cinema, La Polla, who died in 2008, was undoubtedly the most influential Italian scholar in terms of American cinema and literature, and one of more deep knowledge of American culture tout court. The age of the eye , one of its most significant collection criticism, it is proposed to re-read authors of different times and cinema U.S. interference in the light of the most varied literary, philosophical and historical works that have shaped. Near the Cultural Studies, an academic discipline is still little or no development in our country, La Polla excels both in accuracy and mastery of the boundless cultural background that pertains to living in the originality of his theoretical contribution. The superb detail of the philologist is evident, for example, when Jeffersonian idealism and denies the paternity of Capra screwball comedy , eminently subversive and anarchic kind of mythology that Jefferson wanted to be rather skeptical about the parody, or when it offers historical- Critical extraordinary learning about the roots of American Jewish humor of the Marx Brothers and the tradition of trickster , the confidence man Melville, Orson Welles in the poetry of digressive. Original, second, for many critical reflections very innovative and courageous, as when track points of tangency between Roger Corman and the figures of the pop-art, or between Altman, entropy pynchoniana and the 'apocalypse comedy "of writers such as Vonnegut and Barthelme. What's more, the La Polla was also one of the most enjoyable and light pens criticism, no twisted ghirighori intellectual and always insightful, crystal clear and essential. The book offers the best of themselves especially in the "Authors" and "Questions", where the critical thinking of La Polla is free to expand in the transversal nature of cultural references as diverse as the "Film" suffer most from the limitation of having to deal with individual titles (generally not memorable), albeit with some notable exceptions such as work on shiny the Mouth of Madness and Forrest Gump . The age eye is not only one of the best anthologies of essays on American cinema, with some even thinking it prophetically oriented current debates (see the final thirty years after The hyper-realism), but also a model of intelligent criticism and enlightening. Dario Stefanoni

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Selfdestruct (bio) logical


It seems that our body has its own system of self-destruction that comes into action when he realizes that the production of the cells began to show obvious programming errors. The process of cell regeneration slows down causing aging cells with altered DNA are progressively eliminated as not to allow uncontrolled reproduction such as that which occurs in cancer cells.
Old age and death could then be the body's response the loss of his identity and degeneracy "random" in the original biological project. In particular in mammals seems to be a gene responsible for the length of our lives, the gene that regulates the renewal of tissues, and that activates when autoditruzione warns critical mutations. Without the intervention of that gene comes to live in conditions where we can get, perhaps up to 120 years.
course have it all now with him, called p66shc, and having found a way to lock in mice, one wonders whether the inhibition of this gene in humans has some sense.

More European Institute of Oncology

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PASOLINI - THE DOCUMENTARY OF POETRY

Author: Marianna De Palma Publisher: falsopiano , Alexandria, 2009 Collection: Cinema Pages: 228 Size: 15x21 Price: € 15 Language: Italian

Index: documentary Pasolini Italy between "magic" and the Third World Foreword by Raffaele De Berti Introduction 1. Cinema of Poetry - Poetry Film 2. Inspections movies - The Third World in the "documentary poem" - Subjects for documentaries 3. The Third World Pasolini - Alternative: ... filthy and gorgeous sun of Africa - It 's this limitless world farmer that I regret - anthropological mutation - mutation cinema: the popular national elite - of the ancestral and neo-capitalism: from Furies in Eumenides 4. Documentaries and subject - The father wild - The subject - Anger - Locations in Palestine - Notes for a poem about the Third World - Episodes: Arab countries, South America, the Note father wild, Ghetti North America, the film on India Note - Notes for an African Orestes - The subject: the white Athena - Events: search for people and places - The formal democracy - Additional notes: the story - Daily life in Africa New - The Walls of Sana'a 5. Notes for a Film on - Subject: History Indiana - The look: The smell of India - The bourgeoisie, the "establishment" Hindu, Nehru - Meeting with the Indian religion - History. The story of the maharaja - Note: jataka and a spirit of charity - Display style: Flaherty - A documentary for the RAI Interviews Romano Costa The film - Analysis of the sequences - Technical Appendix - Author's Note - References

not to believe. That after so many years, many books and spending many words (too often and inappropriately, alas) someone still manages to take over directing the work of Pier Paolo Pasolini and write a book not only original and interesting but as far as possible, new . Reads the back cover, the theme of the book is "The relationship between the mythical world, archaic, sacred and the advent of modernity," designed by a method of analysis to fully grasp the "poetry of Pasolini's documentary is forced to move away from those areas that mediate wisely dream and reality, mysticism and tragedy, and become too precise and informed. Moving Pasolini Archives of Bologna and any other content which is a memo, a letter, a manuscript by Italian artist, Marianna De Palma documentary traces the genesis of episodes as Notes for an African Orestes , Clipboard for a film on India , The Walls of Sana'a , starting from the very first notes on the subject, describing the visits and contacts, and Finally, by analyzing the final product. For Notes for a Film on takes the same path but adds film analysis, breaking down the individual sequences in the film, comment one by one with the aid of pictures (in black and white and a bit 'too blurry) , with a particular interest for Pasolini's form and technique of this particular work: the author says that the director already at the embryonic stage was stressed several times directing and shooting ideas that should have been the basis for implementing the his "short and dramatic" experience in India. Essential for the enthusiast who wants to add another piece to his knowledge of poetic pasoliana, but also good (especially in the first half) to the Italian filmmaker who knows only his works of fiction and his desire to approach documentary filmmaking. criticized the decision to enter notes to the text at the end of each chapter. Michelangelo Pasini

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Chinese New Year


Chinese New Year never falls on the same day in our calendar because its date as Easter is linked to the lunar cycle, practically coincides with the first new moon of Aquarius (between January 21 and February 19).
The invention of the Chinese calendar dates back to around the third millennium before Christ and is the calendar used by most long time. The year is divided into 12 months of 29 days and a half, the length of the lunar cycle. The beginning of each month is the new moon and lasts until the next new moon. When over a calendar year there are 13 full moons, then adds a thirteenth intercalary month (which keeps the same name as the twelfth) and defines the leap year (ha the same function as our leap year). The beginning of the year in ancient times was determined by observing with the help of a gnomon, the exact day of the winter solstice, the lunar cycle during which they produced the solstice was considered by convention the twelfth lunar month in progress. Observations and calculations were under the responsibility of the Great chronicler, 's official Astrologer and Astronomer.
The count starts from the year 2637 BC when the legend says the emperor Hoanhg you begin to count cycles of 60 years consisting of five simple cycles of 12 years. The documents show that the cycle of 12 years surely has been used from the seventh century and was based on observation of the revolution Sidereal of the planet Jupiter.
As in the extremely complex calculations, which should combine the cycles of the Moon, Sun and Jupiter, the Chinese calendar is at the same time because it has the immediate advantage of being easily followed by observation of the sky. In addition to the participatory
New Year celebrations, which these days involves the billions of Chinese in the world, numerous other rites and ceremonies have traditionally marked the cosmological timing of the Chinese calendar. In a surviving fragment of the "memorial rites" describes the ancient ceremony of the Light of the Palace where the emperor was to inhabit different rooms depending on the seasons and moons. Feng Shui rotation of the imperial family life also provided rooms for the passage of intercalary months.

If you want to venture into the calculation principle of the Chinese calendar recommend reading this

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snows flying


analyzed by microscopy snowflakes appear in their wonderful and unique crystalline forms. Absolutely unique because, we know from childhood, there is a snowflake like any other. The snow is formed by the solidification of the vapor cloud at low temperatures. A certain relationship between the number of branches of the crystal and the temperature has been demonstrated the laboratory but the physical principle by which this process occurs is still a mystery. Among
the first to put forward a theory on the design of symmetrical snow crystals was Johannes Kepler in a short treatise written in 1611. Then Descartes tried to categorize many different forms of crystals in an essay on meteorology, but it is only with the invention of photography in 1931, the meticulous work of Wilson Bentley was able, through thousands of images collected, to uphold the concept that there is no snowflake the same as another.

Curated by Kenneth Libbrecht, a physicist at the California Institute of Technology, one of the best photo galleries on the snow crystals, by clicking here .

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symmetry


will happen many of us to remain with the nose in the air to observe the spectacular flocks of birds circling in the summer skies of our cities. Training flight taking shape shifting but always recognizable as a single design. The secret of a creation so complex is in synchronization. Each bird lays its flight training in relation to the position of his companions around him, forming a geometry similar to that of a network in motion.
individual spontaneous behavior but ordered in connection with the neighbor, which generates the shape and the power of a single set.
synchronization spontaneous nature is the mother of new biological and physical energy, as powerful as the flow of photons a laser beam, as vital as the rhythm of the heart cells, because the magic of thousands of fireflies flash in unison on mhe-kong.

Steven Strogatz, professor of mathematics and science of complexity, is the author of a fascinating text on the "Briefcase" (Rizzoli 2003).

For those interested in playing with the visual simulation of a flock changing the technical parameters of each pilot as the viewing angle and distance, the University of Catania placed online a flight simulator .

The picture shows a flock of ducks in South Korea.

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Network Computer Hellenistic Antikythera

In the first century BC, a Roman ship sunk in the sea of \u200b\u200bGreece, his treasure, the products of trade between ancient Greece and Rome, was unearthed in 1900 by an underwater archaeological expedition after the accidental discovery by some fishermen. Among the finds a mysterious object consisting of a cluster of bronze rather corroded. After a decade of studies are beginning to understand the mechanism used to wonder with astronomical calculations, but more recent investigations using advanced imaging technologies have revealed a lot more and almost entirely possible to reconstruct its mode of operation. The Antikythera Calculator (after the location where it was found) was used to calculate the lunar and solar eclipses for the years to come, reproduces extremely precise movements of the moon and planets and remembered the dates of public events like the Olympics. The ancient Greek astronomers, based on observations of the sky made by the Babylonians, were able to develop an advanced astronomical science mathematician who had subsequently been applied in a highly sophisticated device for calculating mechanical gears. Before you see a review unit of similar complexity in any other civilization will have to go more than a thousand years. If this object was not found no one could suspect that the computer was invented two thousand years ago probably from parts of Alexandria.

To learn how to have taken place in recent surveys that have used cutting-edge CT scanner, I suggest you read the artcolo published in "The Science" in February 2010. The whole history of the discovery will also be the subject of a movie.

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FROGS RAIN FROM THE SKY - THE CINEMA OF PAUL THOMAS ANDERSON

Author : Diego Mondella Publisher: Edizioni Il Foglio, Piombino, 2008 Collection: Cinema Pages: 228 Format : 15x21 Price: € 15 Language: Italian

Index: Preface by Antonio Monda Introduction The Maverick: unpredictable as life Hard Eight In the beginning was the Father ... Boogie Nights Sex, drugs and videotape ... Magnolia The eternal return ... Punch-Drunk Love Love Stone ... There Will Be Blood In the Name of God money Filmography Bibliography Acknowledgements The author

Five films are sufficient to provide viewers and a critical insight into the vision of a cinema any director? The answer is yes, only if the director is not an issue in any but Paul Thomas Anderson, as defined in no uncertain terms by the author of the book the film-maker of the most talented contemporary American cinema. From this concept, Fabio Zanello, director of the series of films de The Literary Gazette, do not miss the opportunity to converge the first word on an author who still has a lot to say, and "write" the young and able Diego Mondella to pack a book on the director of Will Be Blood and Magnolia . The author's choice is immediately radical, especially when seen in conjunction with the short filmography Anderson: to prefer a chronological dissertation, analyzing the career film after film, with a cross-sectional study on the issues and urgencies of the director requires a capacity for analysis out of the ordinary film. Why do a thorough job with so little material available (again, only five films), is to see, review, review, cut and fold the individual works of Anderson from all points of view, with the risk of becoming overly stringent and long-winded . And maybe the mistake of Mondella Diego, the only likely, it is this choice a priori. Since its author has, however, the ability to sink your hands in the five hundred years of American history, finding parallels that exceed the boundaries of cinema and neighbors come to literature, television, art and popular culture tout court. On the one hand there is so little attachment to the 'too difficult for some diegetic holds the other, the need to anchor their theories in a solid foundation and irrefutable. With these pro and those against the book becomes an excellent guide for anyone wishing to deepen themes and language of Paul Thomas Anderson at the end of each vision, but perhaps a cumbersome job if considered in its entirety. But who said that the monographs are meant to be read all in one go, from cover to cover? Perhaps it is better to keep them in the library and (re) all'abbisogna them out. Michelangelo Pasini