Tuesday, November 23, 2010

Amp Channels Explained

Passion Design

Hello to all and here we go again after a long break without internet, which to me was shocking! only change the telephone operator, it took 2 weeks ! ... For me too ... Today I would like to talk about the disegno.Il design is my passion, I like to draw and I can also pretty good. Usually drawing landscapes and imaginary things because people do not fail me benissimo.Non I like color and in fact most of those designs them as well because those who hurt them spoil.
Many designs will do at school during the hours of Art. This year there is
by doing workshops and I chose painting.


Tuesday, October 26, 2010

Can You Get Genital Warts Sharing Pants

. Me Little Moon

Now let's talk a moment about me ... Do not think that is a selfish, it just shows who you are dealing with (not in a bad way) ...
I'm 12 years average in 2nd and I'm pretty good with computers ...
I've always been fascinated by the moon and its mysteries

Sunday, October 24, 2010

How Reactive Lenses Work

Challenge the apparent fate introduction

Before you start you have to stop for a moment to remember, to look at its past with a certain look, the look of one who seeks common elements freed from moral judgments.
It turns out that, for better or for worse, in everyone's life there are a myriad of situations that repeat themselves, which have common elements, and these repetitions trace a destiny, a destiny with the small "g" though, because although seems inevitable, it can be challenged and changed.
The first question we might ask at this location is: why change? The answer lies in each and to do, at one level, with the interruption of the errors and suffering that these repetitions, this compulsion to repeat and generate.
At another level, the answer lies in the feeling of closure and that is nonsense in these repetitions.

Repetitions and more generally the mechanical nature stems from a positive feature of our consciousness, to start pre-configured responses to situations already encountered. This feature of consciousness has evolved in the need to conserve energy and is a key feature. It becomes a problem when the response mechanism is the only situations and generates more equal (repetitions), closing the possibility of personal and social development.

Countering the mechanical quality personal and social development is possible, even if it requires work on oneself continuous and intense.
The mechanical nature, the 'apparent destiny, "is being fought with some tools:
The first is to know enough to recognize their mechanical nature in their action. This is useful for the system of Self Liberation.
Second, you must have a route, a project: an evolutionary route is to try to increase their personal integrity (think, feel and act in the same direction), without forgetting that it is essential to maintain the same consistency with the rest of the world (Treat others as you want to be treated). The route and design allow us to redefine our fate, to better understand which mechanicalness keep and which to change because they cause friction.
The third, an area of \u200b\u200bpeople with whom to discuss this, a group that supports the idea of \u200b\u200bchallenging the 'apparent destiny. "
E 'necessary that these people are "friends" in a different way from what is commonly meant: whether ... able to make me keep my mechanics, even when those comments offend my sensibilities. Stop
or even make an explicit mechanical generates a voltage in the consciousness that can be expressed in ways "not very nice."
The "friends" aituare suitable for this work must be sufficiently "stinging", "transparency" "Beware" and "inclusive."


Good luck to all

Saturday, October 23, 2010

Motorcycle Lester Wheels



I would like to make it clear why this blog is called so ...
This small space is a small planet for us girls: romantic, mysterious, fantastic and beautiful ... just the moon!
The Moon, because it is romantic and mysterious and very beautiful it is to see that from the scientific ... Hello





Friday, October 22, 2010

What Shoes To Wear With Fringe Dress

Hello everyone

Hello everyone (do not know who there is no greeting)!
Here I am, I finally created my first blog,
I would immediately tell you that there are certainly a whiz graphics
and I hope that soon there will be someone sitting there in front of the PC screen ready to listen to me ...
I'm Italian (I think it was understood) and my name is Kika are ready to answer your questions and discuss topics of interest ...
soon

Friday, October 8, 2010

Yoga For Degenerative Disc Disorder

Chariots of Fire

In this video I'm a judge / arbiter of Nonviolence , the game that we came up with to raise awareness and inform on the theme of nonviolence.
Here, however, there is an article about me, Irene and Danielino



Sunday, September 12, 2010

Woman Sitting On Belly Woman

DITALONI CREAM BEAN

If there is a food that should not fail a student in the pantry are canned beans, of course it would be much better to have fresh and / or dried, as it would be better to have a cook or someone who cooks for us when you do not have any desire to get the stove, then used the boxes, fast and terrible practices such as pre-cooked crap like that Zuppapronta Star or Knorr.
This recipe is simple, tasty, healthy and economical, you can also cook the vegetables in large quantities and then be stored in the refrigerator or frozen, in short in time of need may be helpful.
Enough with the nonsense and start a quick list of ingredients

serves 4 students

3 cans of beans (price about € 2)

1 bunch turnip tops (2.5 euro per kilo)

a clove of garlic

extraavergine olive oil

some parsley

2 tomatoes (50 cents a can)

500 grams of ditaloni stripes (70 cents)

're done.
short with about 5 € (and remains practically the whole bunch of turnip greens) can
for about half a day reduce the ferocious instincts pappatori.

sure to have a Minipimer or similar to make it all creamy, otherwise you'll have a knife in hand, chopping the tops of turnips once boiled.



but let's start:

Take a pan not too big (it's important that we fill it almost to the brim with beans) and anoint him with a tablespoon of olive ' olive oil and sauté over low heat the garlic and canned tomatoes, if the tomatoes are going to burn add a little cooking water (or not plug in right away but were behind facebook the stove for a while!), after about 6 / 7 minutes add the beans (drain dall'acquetta of shit that holds them) and filled with cold water
the pot to cover beans.

are now ready to put the so-called "water dough", but before that submerge pasta in the pan (after salty) the tops of turnips into small pieces.
When the tops are ready (ie after about 10 minutes, simply test cmq, if they hold are ok! Untrimmed but not too much though!) With a slotted spoon remove the broccoli from the pot and place them in a container with a bit of concave cooking water (do the same thing with a convex container is very difficult) we will use piuttardi.

Now let's take the trusty blender and puree to a florets, after having put the two blend with beans that are now cooking in the pot.

beans in the pot should have formed a creamy patina, this is because the pot up to stop the beans dry, now here's the dilemma: watery or dry?
Neither, if you get up in the aqueous flame and allow to dry a bit, if dry add water now and pray that the beans are not burned below (you do not mix for shit eh? Good!), Now take the blender and give it a couple of smoothies in the same pot, being careful not to splash your partner / friend / enemy / pet.
Meanwhile, I guess you have dropped the dough as soon as the water began to boil is ready right?
...
have dropped the dough when you took away the tops?
...
well, take it for you!

hours drain the pasta and stir gently in a large container that you purchased wisely between an adverb and more.

Done!
not spend the night in Manteca but Serve as soon as possible and cibatevene eagerly.

if necessary add some black pepper, but I prefer the natural, the limit a little bit of oil to raw!

I recommend, however, if during the preparation you will not have heard very loud the song "Succulent" of "Men of Porn", the preparation will not be the same (also the first 7-minute bass solo are indicative Cooking tomatoes in pan).


byeeeeeee
Nick


HERE SHOULD BE SO 'BUT turnip greens!


Thursday, September 2, 2010

Examples Of A 60th Birthday Speech

How do I change

My memory is lacking, at least in some respects.

am able to recall events of decades ago and maybe forget the name of a person known for years.

The tendency to "defer" to create situations which I discomfort leads me to forget those situations and, because the memories are structured and linked together, even all the situations in some way related.

is why I find my precious notebook dated 1987, found in a drawer a few weeks ago.

I had called Zibaldone "in honor of Leopardi and we wrote everything: ugly themes, poems, songs, thoughts.

rereading I reminded the boy that I was twenty years and as I have moved away from the person who wrote down on paper life that had not the courage to live out.

But I also realized that, beyond the ways in which my consciousness interacts with the world, the essence of that boy, his disregard for conformity, his passion for justice, his want to change the world are still intact in the forty-George, who from this point of view is just more streetwise and tired ...

Sunday, August 29, 2010

My Platelet Count Is Low But Mpv Is Normal

Notes youth in music

Seeking
seeking an order seeking an order

a perfect God in the universe.

Fly

imagination flies to cover every hole
a logical insanity.

Monday, August 23, 2010

Catchy Phrase For Marijuana



Shohei Imamura

SHOHEI IMAMURA


Author: James Quandt (ed.)


Publisher:
Toronto International Film Festival Group, Toronto, 1997


Collection:
-


Pages: 192


Size: 15 x 21


Price:
-


Lingua: Inglese

Indice :

Pigs, Pimps and Pornographers: A brief Introduction to the Films of Shohei Imamura, J. in Quandt

Notes for a Study on Shohei Imamura, in D. Richie

hohei Imamura S: Modern Japan Entomologist, in M. Tessier

Shohei Imamura Interview, in M. Tessier, A. Bock e I. Buruma

The Last Rising Sun , in D. Kehr

Images of Irrationality in Modern Japan: The Films of Shohei Imamura, in A. Casebier

Shohei Imamura: Human, all too human, in G. Laprévotte

Shohei Imamura Interview, in T. Nakata

My approach to filmmaking, in S. Imamura

Traditions and influences, in S. Imamura

The Sun Legend of a country boy, in S. Imamura

My teacher, in S. Imamura Shohei Imamura

: No confucianist, in A. Bock

The Profound Desire of Gods: murder of the pink pig, in A. de Baecque

The Ballad of Narayama: Ascent to the Beyond, in Y. Lardeau

The Ballad of Narayama: Pigs and Gods, in C. Tesson

Erasing and refocusing: Two Films of the Occupation, L. Ehrlich

Unagi: Of Eels and Men, M. Tessier

Shohei Imamura Filmography


Released on the occasion of a retrospective Shohei Imamura (1926-2006), the book in question traces its career from the beginning, "the court" Ozu's up to the Palme d'Or obtained in 1983 with The Ballad of Narayama .
However, the schizophrenia of a split between volume monograph ("one author writes about a topic") and critical anthology "polyphonic" disturbs the linearity of the criterion of chronological order chosen by curator James Quandt, since the majority of interventions consists of a total budget of the work of Imamura, the reader will in fact caught in a recursive structure whose repetitive (often-content-theme) inevitably complicate the use of the book .
On the other hand, the grueling "eternal return" of the discourse on post-war decades is well suited obsessive use of flashback to the base of films like Entomological Chronicles of Japan (1963), making a coherent essay " messy messy book about movies. "
In this view, many points of interest are revealed. Among them I found particularly stimulating and worthy of further study of the Japanese director's will to free his films since "teaching intellectual" of Ozu, the 1926 class filmmaker considered a "construction" Western (See Transcendental Style in Film by Paul Schrader ) not to be confused with the movie (and "soul"), Japan tout court.

Michael Guarneri

Wednesday, August 4, 2010

7st-dh-005 Driver Letöltés

Semantics and gestures Truzzi metropolitan



A group can be defined as such if people who are part of shared habits, mannerisms, expressions of a common culture. The use of a certain kind of language, the presence of a certain type of role models and aspirations, then allow to identify the right group of individuals.

Why then do an analysis of semi-serious way of being of different social groups that "work" in Turin reality?

begin the analysis by the group easier and Chiasson, that in some ways more direct in its course of action.

This group is identified in various parts of Italy in various ways in the 'hinterland of Turin, a' typical member is classified as "Tarro" or "Zarro" or more commonly "Truzzi. The

Truzzi normally has an 'aged between 14 and 20 years before he has sufficient autonomy to show its full potential, then, less than pathological cases, it becomes something else.
E 'characterized by a very particular way of speaking, distinctive, and his language was born in linguistic melting pot that is our city, particularly from the merger of the ways to express the 70 youth (for instance, masterfully interpreted by those first Verdone ...) and expressions common in southern Italy.

There is, for example, an improper use of the conjunction "that" (ie stories, "" I mean ..."), along with a nasal condition and very long pauses between one word and another, spaces usually filled by extending the last vowel ("iooo ... nooo .. I'm dating a girl, nooo ..."), or adding filler words (eg words, fuck that chocolate, so that stories. ..).

a southern tradition is the use of the word "fuck" that loses its value definition vulgar male sexual organ to become a good word for every occasion, almost a conjunction when used in place of "ie" ("I went there no one was watching me fuck and ... bad, but I fuck .... .... the more I looked at him so bad. "), or the classic expression of wonder and surprise (" fuck "or" fuck what a story! ").

A 'of the other features of the slang phrases Truzzi is to use the "no" how to strengthen the sentence that precedes it, rather than as a negation: "I mean I went there ... no ... and I've said of things ... no ... and he looked bad!).
deserve a speech in Apart from the words and colorful expressions specially minted by the group, ranging from "You're cyst", used in place of the more common "careful" to "What Ciocco", used in a positive tone of wonder, since "I mean that history" Expression vaguely rebellious against the cosmic order as "Uncle Fa" and "Porcoddue.

With regard to behavioral patterns, the Truzzi is very social, connected closely to the group of ten or twelve people to which it belongs, which normally supports the venues, which generally bar or game rooms in which the various groups spend most of free time, are places to meet, exchange, the group recognized as a territory own.

Rather interesting are the patterns of communication Truzzi, it is addressed to his fellow men (members of his group) by name. All the others are
apostrophe with a generic "Ou" or a heartfelt "Hey kind."

With regard to relations with the opposite sex, you can record one of the few behavioral differences between male and Truzzi Truzzi female (or Truzzi), the male is undoubtedly Truzzi hunter, talks a lot, it shows his physical strength to Luna Park, pretending to hit the "girl". The

Truzzi is more reflective, accepting the court, laughing and showing his approval or by returning the blows. If the courtship has success "type with no ... you put the girl and fuck ... no ... it's a nice girl ..... the chocolate begins to run with friends .... and no kind of life continued. "

Finally, Truzzi emeriti scholars have proposed a classification of the various aspects of this multifaceted phenomenon based on the color of a typical piece of clothing: the bomber. The

Truzzi normally wears the blue bomber, unlike the Truzzi who prefer green. The "Truzzi alternative" as the preference with the bomber or bombers bordeaux canon worn backwards (putting out the delicate orange filling).

Truzzi The leftist-inspired bomber wearing red, "Truzzi dark" predominantly uses in contrast to the black bomber "Truzzi militarist" who prefers the bomber camouflage.

Angie From George Lopez Name

The concert HoraNona for Help To Change - October 2007


Tuesday, August 3, 2010

Birthday Cards Of Motorcycles

Toccata and Fugue



William was, as usual, too optimistic when he realized a few months later, found himself doing budgets of its past and to plan its future in the medium term. He happened to do so only in times of dire crisis, when, to forget the sadness of everyday life, project its image to a future full of joy and satisfaction.
He imagined himself as the leader of peoples, or to Oslo to collect a prize, Nobel, or in Hollywood, surrounded by beautiful women, and thought how sad it was the life of Helen, holed up in a corner of the world to cry about whether he had lost, she could have been the woman at the side of that demi-god!
Just when you thought that William, after all, Elena could not condemn the poor to such a future of suffering, appeared on the scene Mimi.

Probably, dear readers, you may have noticed that I delight in describing my characters as the actors who play the roles of theater, this is because I am convinced that everyone, even away from the stage or literary fiction, interpreting roles, more or less consolidated.
also describe the characters in broad terms it is much easier for me and a lot less tedious for the poor reader. So the Guru, who has the role of the young ladies 'man and is the archetype of' the cunning man is a completely defined, and if you had to describe how it came into reality in my mind should I use for pages and pages to revive the life experiences, sorrows, probably getting the same result. And then the Guru is the Guru and becomes only when Tony leaves his role. Same goes for Sinbad, the philosopher of 'Absurd, the Engineer.
special regard only to the reserve of the William and myself is in this character, when he lives his life without interpreting his characters, and when he does become the psychologist or Butterfly. In the same way the characters are made to live more closely with William, we say that in this story William is the center of gravity and the other characters (including William) purchase the rank of 'beings' according to their way of being against of this center.

The purpose of this discussion is to try to overcome the embarrassment in the definition of the character of Mimi.
When was supposed to be a frail woman, at the mercy of a harsh and unforgiving world, would be a Lucia di Manzoni and was reactivated in William the protective instincts of the father or older brother. Compared to 'hypothetical Lucy, William was the psychologist.
But then, in the space of my imagination that acts as a breeding ground for the characters, was born a figure that I might call the archetype of the evil of women, strong-willed, strong and sensual. It would have been a Messalina or a novel Salome, able to drag races of men to his will. Compared to Salome, William would try to be Butterfly. I then decided to create
Mimi, an 'explosive fusion of Salome and Lucia, because it is high time to raise William.

It was said that William is very busy doing the accounts of his life, because now the role of the psychologist also permeated the relationship with himself, William ideally lay in a bed, and carefully analyzed.
He found it to be terribly attracted to women who are very self-centered, able to draw upon himself the attention of all the boys and this contrasted strongly with his jealous nature, and his "stories" would always be troubled. Decided in a solemn manner not to fall in love more than self-centered women.
also noted the ease in establishing intimate relationships with people of 'other sex, he began to think it would be better to prolong the courtship phase of a dead weight instead of jumping on any possible opportunity. This is because he thought that the memory of the period of falling in love can keep together a pair at a time when the relationship gets a little 'cooler.
Finally, he noted that the choice of partners tended to unconsciously follow his desire to escape and sought women with whom it was possible to escape from his world to rebuild elsewhere. He would not have looked more women living alone or disagree with the family because, in the first case, he faced the competition of dozens of men (in fact, that thought just a man meets a woman who lives alone now thinks it's an easy woman ), the second could not long compete with the family.
emboldened by the feeling of having finally resolved their relationship problems with men, William synthesized his thoughts with the slogan (which is simplistic compared to the complexity of his argument) "Enough with the women self-centered, easy and free!", without considering that it eliminated its sights ninety-nine percent of girls available.
Regardless of the correctness of his analysis, William was supposed to take a thousand miles away from Mimi, the girl, in fact, perfectly embodied the context of 'danger' just drawn.
They had met a few months earlier, for a change to a night singer in the Parco del Valentino, William was to 'highlight of his great love for Helen, and he wanted to kiss her and hug her all the time. But this result could not be do and then was limited to around her, trying not to show his impatience. Mimi was at the height of his story 'love with a guy, despite his passionate feelings for Helen, our hero could not help but feel a certain kind of attraction to Mimi, with the feeling that their idyllic relationship with their partners would not last long. That evening, however, erased from the mind that thought.

That kind of pull back on a Sunday afternoon at the home of Sinbad.
Mimi was in crisis "by neglect" and the same is true of William, however, that he intended to visit the same day his beloved Helen, the prospect of a less probable recovery.
- Why do not you sit closer, you do not eat mica! - He began timidly Mimi seeing that William was a little on her. The boy did not repeat the call twice and warmed by the warmth of her curvy side. For that afternoon
William forgot his ills and, exalted, extolled Mimi in a crescendo of enthusiasm that was not known for months. He decided to stay for dinner with Mimi and good company.

William can not understand his feelings and, pacing nervously, waiting for Mimi in the door. Mimi is very nice, fluffy hair that has come down on a face capable of expressions very engaging in similar compelling is her body that stands proud in spite of the large sweaters.
He also likes how he circuit, desired, conquered, is pervaded by a subtle enhancement of the 'explorer who, after passing a tough mountain, stands before a beautiful landscape.
But unlike after the explorer, a subtle tension creeps into the stomach. And do not know why.
Mimi, on the other hand, experiences a similar feeling, as he confirmed a few hours later.
The evening's program included the strengthening of a relationship that was born two nights before: William had managed to take her home to see Mimi the talk that circulated in the company for a few weeks. Goods informed swore that Mimi had a crush on William stratospheric and our favorite is a firm believer of the theory "Chiodo sciacca nail" or "When you fall from horse must now go back". So Mimi could be the best way to forget Helen, which was still dearly love, also because the girl was (and still is) very interesting.
Once the house had been speaking of Mimi and Butterfly William had decided to break all the delay kissing.
For some 'of women in this part of our butterfly had found a surefire way to overcome shyness: feeling very stupid in any person who declares eternal love (The only exception was Elena) just had a vague hint of appeasement by the partners, threw themselves on him, kissing her passionately.
did not have to say anything, the gesture was a 'clear sign of satisfaction, and no date had kicked off with the classic knee in ...
The technique worked well for the passionate kiss that Mimi, as they said, seemed not to wait for another, and William returned triumphantly home with the promise of an appointment within two days.

I have already spoken of my embarrassment in describing Mimi: I think the most careful readers have also noticed from the disorder with which I am describing this adventure of William. Actually I can not just imagine how Mimi would feel at that moment when he leaves the door of his house and ours is so absorbed in thought.
You can guess, you could feel what he feels and the flow of his emotions, but you can not fully understand ...

Sunday, April 11, 2010

Artificial Legs On Women

Reflections freewheel (Third part) Freewheel

alive, dead or X. Ligabue is very suitable for cycling, it gives you the right pace.

Why this sudden desire to write, to update a blog idle for a few months (since my last trip to Senegal)?

There is no single cause, but a system of contributory factors with different weights, I find the cause-effect model terribly ill suited to describe any reality, even the simplest, let alone enough to describe a complex society, or what happens in my head. This
my old idea has found a perfect combination of theoretical explanation in the law of structural dynamic method and earlier in the field theory of Lewin .

There are several causes.
The first is that uneasiness that I mentioned earlier, an illness linked to various personal problems and future prospects that I am facing.
The second is to look within and take memory.
In recent years my memory has given me some concern, I recall with precision the key events and concepts that are key part of my training, but gradually the details escape me.
For a while I thought this annoying problem was a consequence of meningioma that I was removed in 2006, and then there is nothing to be done.

I recently wanted to give me more hope, perhaps my memory is only sleeping, perhaps in a colossal act that erases removal, in addition to memory, my dreams at night, my knee jerk reactions and making me ineffective in action transforming the world. With the memory
halved halves also my understanding of myself as well as the memory of me in the other I guarantee that others are trying to survive in paradise after death, so becomes crucial to address the removal of the front, all the analysis tools I know.

few years ago I threatened to blow up the other side, in the field of Friends Basaglia, unlike the normal that I have already spoken to try to avoid this risk, I looked for solutions in different areas, some roads have proved to be sterile , others for solutions.

One of the ways for solutions has been to open up to some people, sharing thoughts that I had always jealously kept for me, and this has given me an unpredictable evolution and has given me experience and extraordinary years.

My old enemy (a part of myself), however, is still there and ride with me, if I can not beat the invitation to have coffee for a chat.

Friday, April 9, 2010

Accordion Fingerboard Remo Williams

Reflections (part two) - Turin, April 9, 2010

... "Normality is a limit concept and as such does not exist, it is useless to try to work both to achieve and maintain." Why then I came up with this pearl of wisdom on normality? Perhaps due to a post by Laura seem to mind that they can not enjoy a similar state of mind.
Normal ... maybe it could be normal, maybe you succeed by killing some hundreds of millions of neurons to forget the amazing things I've seen, what I smelled, the great ideas that I have woken up and moved out of bed every day.

And nothing will change if those ideas are recognized illusions or unrealistic in the average level of consciousness of contemporary humanity, the experiences I made and I can not go on living as if nothing had happened, after speaking of mysticism and the future on a cart under the full moon with a Talib (French equivalent of the Taliban, or Koranic students) can no longer passively accept the actions of the CEI.
After seeing a small baby skin and bones from some degenerative neurological disease and her mother's eyes I wondered if, in my opinion, his son did something wrong, you can not return to normal.

But without going to such extreme experiences can not be normal and drunk all the balls that are proposed to normal, goes its own mental health.

About mental health, my wheels are now on France during the whale I think a ghost of Dr. What a man. To think that one day decide that the lunatics are not crazy, but otherwise normal and devoted his life to spread this simple concept and a closed world open, revolutionizes, disappears.

Alas, in my infinite ignorance I have never read anything Basaglia: I must admit (and this is a mortal wound to my snobbery) to have known him only the best fiction is dedicated to him and are not able to determine what was realistic .

I actually met the thought Basaglia of a few years ago when I had fun with Claudia to attend a series of unusual places, in one of these raids are finished to the mental asylum, being dismantled but still operating in some of its departments.
That night we ended up in a party organized by basagliani: half of these were healthy (I would not call them normal because they can not be normal if you are in certain areas), the other half were members of the asylum.

Mental illness has always scared me, maybe because I know that, deep down, they are borderline, or, in simpler words, a bit 'crazy too. That night I remember it still as nice although there was no way to convince one of the guests that I had no cigarettes.

Again are activated in the office.

live, dead or X?

Thursday, April 8, 2010

How Do I Know The Calories In My School Lunch

Reflections on the FW (first part) - Turin, April 8, 2010

I love cycling, especially after winning the strength of habit to drive around the city by car, the illusion of not having enough time and also, specifically, the physical limits of a body is not trained to the very effort.

Yes, because I, except for a brief twenty years ago, I always preferred the thought to the physical form.

In any case, when I can get my fat ass and put it in the seat of my old mountain bike I do not regret, discharge tension, I feel very cooler or cool as we say today and I think.

Today for example I thought of the malaise that grips me a bit 'of days and tried to give names, faces, patterns.

I started with a basic consideration: one of the things that annoys me most is the feeling of not leaving a trace.

am not a believer, so I have a particular faith havens on post mortem.
I think rather in a universe that embraces us all, for the moment I saw it described as best-in-One by Richard Bach.
If I remember correctly, the author of "The Seagull Jonathn Livingstone" invents a metaphor like this: each of us, in his individuality, is like a radio tuned to its frequency. So everyone sends some of the messages that we are in the ether, but ether is one.

But I continue to digress, I said one thing that bothers me most is the feeling of not leaving a trace, or rather fail to be decisive in changing for the better the lives of people around me. The ascent of

Parco Ruffini attempted to take stock of my forty-two years, will be the effort of a small hill that to me is a King of the Mountains, but the only thing that comes to mind is something like " normality is a limit concept and as such does not exist, it is useless to try to work both to achieve and maintain "...

Monday, March 29, 2010

Pull Her Dress in tv

Tides of ideas


The influence of the moon on tides is now well known but perhaps less known is the existence of similar phenomena that occur both in the atmosphere that the Earth's crust. Imperceptible movements linked to the moon began to be regarded by scientists as triggers of weather events and earthquakes.
Even before Newton, and since the time of the Greeks, you know the links of the rhythms of the tides with the position of the moon even if you did not know the causes of these reports. Yet Galileo Galilei, seeing no physical contact, rejected the idea of \u200b\u200bthe influence of the Moon on tides, attributing the cause of the latter to the rotation land. He accepted, however, the influence of the moon and planets on human destiny by practicing, more money for that conviction, the art of astrology. Logical contradictions of materialism.
tides with their major shifts in water level in some areas even several feet, move extraordinary energy. The idea of \u200b\u200bexploiting the ocean currents that follow the tides to produce electricity began to be applied in different parts of the world, including Italy. The water flowing in a square meter at 3 meters per second is capable of producing approximately 3kW.

Wednesday, March 24, 2010

Lycra Cycling Shorts Lycra Cycling Shorts Advice?



THE CINEMA by Shinya Tsukamoto

IL CINEMA DI SHINYA TSUKAMOTO


Author: Andrea Fontana, David Taro, Fabio Zanello (ed.)


Publisher:
Edizioni Il Foglio, Piombino, 2010


Collection:
Cinema - Split Screen


Pages: 148


Size: 15 x 21


Price: € 15


Language: Italian

Index:

Foreword by Tom Mes

Corps

- I Sing the Body Eclectic - The denial of course in social Shinya Tsukamoto, Raffaele Meale

- Assumptions on the body of foam Hedwig Liotta

- Assembly cinema in the body of David Taro

- The future is cyber-woman. Tsukamoto through the rubble at the end of the millennium, Domenico Monetti


Relations

- Shinya Tsukamoto: space fluid, Lorenzo Leone

- The break-up relationships, Andrea Fontana

- Shinya Tsukamoto. The loss of vision, vision loss, Enrico Carocci

- History of an employee


Vanguards

- The Atrocity Exhibition in the saga of Tetsuo between literature, perceptual alterations and multiple identities, Fabio Zanello

- The act of seeing. Experimentalism and prevalence of vision, by Michael Raga

- Q factor and shots of encounter, Enrico Azzano

- The body of theatrical Tsukamoto, David Taro


Approaches

- Bullet NALLET or dance divergent fates of urban Matteo Boscarol

- An incipit: A Snake of June, or desire, or movies, Massimiliano Spanu


Filmography


Bibliography


Small publishers grow. The necklace The Literary Gazette devoted to the cinema already includes several volumes of interest, but often overshadowed by a pack and not enough editing. The book on Shinya Tsukamoto has instead completely different premise: it improves the cover, improve the layout, the definition of the photos, they disappear almost completely typographic errors. At the same time involved in the pens get more interesting: in addition to the contribution of Dario Tomasi (whose essay is by far among the more interesting), to validate the work of three outstanding editors preface by Tom Mes, famous for being signed two major works on the history and criticism of modern Japanese cinema, namely Iron Man, Shinya Tsukamoto and Agitator dedicated to the works of Takashi Miike. Decomposing
Tsukamoto's filmography in four bisectors (bodies, relationships, and avant-garde approaches), the authors analyze the main elements of the Japanese film, perhaps exacerbating the union man-machine-progress that is the basis for some of his poetry, but is just the departure.
For once, the multitude of critics involved results in a positive heterogeneity of the volume, without annoying repetitions between individual essays and prose enlivened by a different job to job. The presence of so many authors clashes with the brevity of the book: some points of view are only sketched, others should be investigated, while (a few) could be neglected.



Tuesday, March 23, 2010

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On tiptoe ... here I am!

Hello to all and all!
Thanks to the suggestion of a friend I decided to open my personal space, a blog dedicated a. .. well, I will not have a real issue! The predominant argument could be my passion / hobby bigger, or make-up, but I like to share thoughts, ideas and facts of everyday life! Thanks to all those who visit this modest space ...
'll be waiting!
LUNA

Monday, March 22, 2010

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I film liberano la testa, di R. W. Fassbinder


Author: Rainer Werner Fassbinder


Publisher:
Ubulibri, Milan, 1988


Collection: The Necklace


Pages: 120


Size: 14.5 x 18.5


Price: € 10


Language: Italian

Index :

Imitation of Life

If you have love in body

Eight hours a day do not

Many shades but no mercy

-giving need to have

German cinema is enriched

Speaking of desperation and courage



'In a Year of Thirteen Moons'

'The third generation'

barre exercises: vertical somersault successful closing

Answers to Students

The city of man and his soul

premises of the film project 'Cocaine'

Michael Curtiz: an anarchist in Hollywood?

Hanna Schygulla

Alexander Kluge must have birthday

Preface to 'Querelle'

Cannes sad-eyed

imagine how my professional future?

Open Letter to Franz Xaver Kroetz

About 'Der Mull, die Stadt und der Tod'

Subject: Federal Award for 'Germany in Autumn'

hit parade of German cinema

There is still a future for movies?

Note for the film project 'Rosa Luxembourg'

Imprint

Given my fierce "non-fassbinderianità" I could only appreciate this book as a mirror of affection, alienation and self-overestimation of its author.
Take the first article of the collection: RWF baziniana apply the category of "cinema of cruelty" to the works of Douglas Sirk, but - on the simple map plots - it omits the most crucial, to a style of vehicle content. " The result? Six-page synopsis of the film.
The second piece, however, is a kind of long aphorism in which the triumphant trobar clus, a taste for paradox ("I do not have a utopia is a utopia in itself") and the special effects of rhetoric.
In the interview, then, the author exhibits to the students' questions adequately adopted the same attitude towards Wim Wenders Chambre 666 in : too busy to play the part of maudit to take seriously the interlocutors.
The highlight, however, can be reached with Hanna Schygulla , where the ubiquity of the pronoun "I" gives rise to more than a doubt about the appropriateness of the title of the article in relation to its content. I could continue, but I think you get the idea: a book masturbation and rather pointless.

Michael Guarneri

Wednesday, March 17, 2010

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NOTES ON CINEMA

Note sul cinematografo, di Robert Bresson


Author: Robert Bresson


Publisher:
Marsilio, Venice, 2003


Collection: Library


Pages: 126


Size: 16 x 21


Price: € 13


Language: Italian

Index:

I. 1950-1958

II. 1960-1974 (OTHER NOTES)

Notes


The book contains notes hanging from the legendary French director in a period between processing Diary of a Country Priest (1950) and that of Lancelot and Guinevere (1974). Although
dispositio follow a strictly chronological sequence, the text does not is very readable as an autobiographical account of his artistic maturity, because each film inherited from Cartier - from the point of view of style - is perfectly identical to the others (see Chapter Bresson in Transcendental style in film P. Schrader) the author can not give you an image of crystallized, mapping their unshakable principles underlying the corpus of works in a quarter century.
Bresson, therefore, uses pen and paper to gloss the text film: stimulated by the creative work on the set, the metteur en scène reflects on the film medium and his "language" (no This, after all, the obsession of every theorist of cinema?).
not expected, however, the relentless logic of reasoning Eisenstein.
Surprisingly enough, the "filmmaker subtractive" Bresson adopts the literary form of accumulation: aphorisms (precepts or invective) and soaring lyrics are the instruments of mystical thought that consistently prefer the suggestion to demonstratio .
In essence, Notes cinema is a poetic manifesto whose tenets are repeated with such passionate persistence to transform the theory (c) a film in the cinema liturgy (1) .

Michael Guarneri

(1) "Cinema" in the literal sense of "writing with moving images and sounds" .

Tuesday, March 9, 2010

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TIME TO DIE - MEMORIES, REFLECTIONS, ANECDOTES

Transcendental Style in Film - Ozu, Bresson, Dreyer, di Paul Schrader


Author: Krzysztof Zanussi


Publisher:
Spirals, Milan, 2009


Collection:
the alingua


Pages: 388


Size: 14 x 21


Price: € 25


Language:
Italian

Index:

The title of this book


The conquest of the world


Family Life


Gambling and chance


Travel exotic


The land of great promise


not all evil


These


The muleta and other moves


Memories and masks


Things Life


A sentence of dialogue


Where does his themes?


Ghosts


The great of this world


Speeches


The American Dream


policy


Adventure with the Pope


Bluebeard


Melpomene


The other muses


Faith


The past is over


Filmography


Awards (selection)


theatrical productions


Krzysztof Zanussi, more than seventy years as well on the shoulders of fifty paces behind the camera with a fancy, a fantasy, but at same time, a penalty and an own morale of those who lived only an intellectual, researcher, physicist, philosopher and filmmaker in Poland from the '60s to today. Extraction Catholic and still a member of the Pontifical Commission for Culture, has become famous around the world with From a Far Country, a film which in 1981 devoted to the figure of John Paul II and three years later having won the Golden Lion at the Venice International Film Festival with The Year of the Quiet Sun . Aided by a literature almost nonexistent in Italy many of his best films ( The crystal structure and Lighting all) remain invisible and unknown to the general public. Nevertheless Zanussi remains tied to the land which owes its origins (from Friuli his ancestors moved to Poland), not only chewing a perfect Italian, but also turning films like Persona non grata , 2005, in which he wanted to play Valeria Golino, Renzo Balducci and Remo Girone. Making the result of a personality so multifaceted, a man of culture as histrionic and so emblematic a figure for the east European cinema such as Zanussi, it would be difficult for even the most critical launched here, perhaps, because the same Krzyszotf offers us his "recollections, reflections, anecdotes "in his autobiography published by spirals.
It 's impossible to deny that at first sight Time to Die may seem a bit like a brick' difficult to digest nearly four pages on a director who has never made the masses dell'intelleggibilità his forte, may seem Half an adventure for those of Zanussi is not the most obstinate supporter. But the prose passionate, intense and confidential at the same time, the many anecdotes and interesting facts drawn from the memories of the cylinder counterbalance those reflective pauses that Zanussi and gives shape to a story that is not only the story of a life, but rather the opportunity to get close contact with the countries of the protagonists of the Cold War, to realize how the Soviet bloc was able to influence and limit the intellectuals of the time, but at the same time being one of the primary sources of inspiration. To understand how short Zanussi, director, producer and man of culture in the round regardless of the political situation could not be living day after day and how many of his films are actually daughters, for better or for worse, for a certain period and their response to it. What time death seems to require (a not inconsiderable effort of reading) is actually little more than appearance: passed the first hurdle, the prejudice that wants to film a meatloaf indigestible Eastern Europe, the reading appears fairly smooth.

Michelangelo Pasini

Sunday, March 7, 2010

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TRANSCENDENT IN THE CINEMA - OZU, Bresson, Dreyer

Il transcendente nel cinema - Ozu, Bresson, Dreyer, di Paul Schrader


Author: Paul Schrader


Publisher:
Donzelli, Rome, 2002


Collection:
Essays, Arts and Letters


Pages: 194


Size: 14.5 x 23


Price:
17, 56 €


Language: Italian

Contents: Introduction




Ozu


Bresson Dreyer





Conclusions





Notes Bibliography Index






Schrader will demonstrate the existence of a "transcendental style" can evoke the unspeakable and the Invisible (ie the unsolvable mystery of human existence) through the specific language of the medium Cinema: films such as "preview of the incoming attractions of the Soul" (see Cigarette burns on the frame).
Moreover, this style is called "transcendental" as "shared form of expression" audiovisual Esperanto unites filmmakers entirely different nationality, cultural background, religion, professed, career, popular genres, and so on.
The author of the paper is aware that he carried in dangerous waters: witness the thousand precautions to distinguish terminology and methodology of 'Introduction .
And it is the strength of this quick start section that prevents Schrader sinking in the swamps of literary impressionism. Beyond the dubious thesis of departure, the argument schraderiana never loses the character of science: aesthetics, film analysis, history of Cinema, art and religion are called to the witness stand and questioned to convince us of the existence of a "transcendental style".
In this sense, the iconography is particularly effective in helping the reader to grasp the similarities between Ozu and sumi-e painters between Bresson and Byzantine art.
Those who expect a poetic manifesto of the future of film production Schrader will remain quite disappointed. Much better than surrender to the crystalline prose and compelling arguments of a movie buff who sees the exercise as a critical "discourse on popular items."

Michael Guarneri

Wednesday, March 3, 2010

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The moral power


A study by the University Tilburg, the Netherlands, has allowed us to demonstrate how those who are placed in a position of power extends to the other (the subject) strict moral rules but is rather self-indulgent in their application. Why this mechanism to work
asymmetrical power must be accepted or you risk running it down. That is, if you do not deserve the power you have, you probably expect from yourself more than others in applying the rules.
News political leaders that you discover a brilliant extra-marital sex or personal use of funds or public roles are on the agenda. The bankers responsible for the disastrous global financial crisis in which we are immersed to the neck, after seeking the help of the states to save the banking system are now back to enjoy bonus millionaires. To find more illuminating examples you can search through the newspapers today.
The research carried out with the help of simulations carried out with the students of the same university (mostly students) shows that there is a direct link between the positions of power and moral hypocrisy, the power increases with the hypocrisy . Probably a remnant of our evolutionary history.

For details you can read the original research (in English)

Monday, March 1, 2010

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KIM Arcalli - MOUNT THE CINEMA

Kim Arcalli - Montare il cinema, di Enrico Ghezzi e Marco Giusti (a cura di)


Author: Enrico Ghezzi, Marco Giusti (eds.), Sergio Grmek Germans (with the collaboration of)


Publisher:
Marsilio, Venice, 1980


Collection:
Searches


Pages: 171


Size: 14.5 x 20.5


Price: € 16


Language: Italian

Index:

Kim Still, Robert Heller

Why Kim, Bruno Torri

Introduction

Looking for Kim

As Kim Arcalli place in the panorama of Italian cinema

Kim and fitters

will never be possible to remove assembly?

Kill the pig and mount it, Sergio Germani Grmek

Interviews and statements

- Tinto Brass
- Giulio Questi
- Bernardo Bertolucci
- Giuseppe Bertolucci
- Liliana Cavani
- Eriprando
Visconti - Salvatore Samperi
- Michelangelo Antonioni
- Ottavio Fabbri
- Italo Moscati
- Henry Medioli
- Arturo La Pegna

printing the day of death

Filmography

-
Feature Films - Short Films
- Projects


Reading index helps to understand the depth of the operation in place in this volume: in fact, what better tribute to "mount (u) Kim sector" of a book constructed by combining various materials (which Arcalli excelled in art, as evidenced by the films he assembled for Giulio Questi)?
Thus, in addition to cutting essay, the historical-critical perspective and to film theory, we find the testimony of friends and fellow filmmakers: it is through the squint of this field-reverse of the portrait that emerges Arcalli as an artist, as a man and as a myth.
But there's more: as pointed out repeatedly the same editors, Kim Arcalli. Mount the film is a montage arbitrary fragments of the above, which provisional programmatic aims to provide the user the opportunity to build a custom location.
You may prefer the humble genius artist retiring, or the excesses of a larger than life character ; dell'agiografia beyond, the book can be regarded as a practical guide to the vision (especially in view of the precious section Filmography "rational") or an attempt to apply the paradigms of political cinema to the author's gender and Italian sessantesco settantesco.
Essentially we are faced with a kind of "choose your own adventure book" disguised as a special feature, a hyperfiction whose best quality, in my view, is to encourage the cinephile to make films, not only at him.


Michael Guarneri

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CHILD PIU 'PICCOLO

Il Figlio piu piccolo, Pupi Avati


Author : Pupi Avati


Publisher:
Garzanti, Milano, 2010


Collection:
-


Pages: 191



Size: 13x20


Price: € 14


Language: Italian

Index:



The book by Pupi Avati (which transposition in the film will become the third part of a trilogy that began with Dinner for them to know I and continued with the father of Joan , focusing on the figure of fatherhood) has as its driving force the protagonist, Luciano Baietti. Defined in the lapel of a fixer volume of Italian commedia dell'arte, the character of those that everyone envied least once in their lifetime. Perpetually on the brink, double agent, exaggerated with women in business and friendship, always on the brink of the precipice, always one step away from the brink, but always saved by luck, talent, friendship and fate. And 'the character from the life that never sleeps, with the adrenaline that every employee dreams while sitting at his desk, workstation more solid and relaxed compared to that of Luciano Baietti, but certainly a lot less glamorous. Set in the early nineties Bologna The youngest son is, as the writer-director has always been used, so the photograph of a particular description a handful of unscrupulous characters but at the same time fun and easy-going manner, as a true slice of Italian history, a slice of our world that we can not risk losing it would be better to stop and to suffer the bizarre fascination .
The youngest son is the classic book by two sleepless nights: the gift that we have stacked under the other because the writer did not sound Anglophone, one day, or should I say night, turn on the television to try to sleep, and when the trailer of the film hammers, we are reminded of that strange book with an electric guitar and sneakers on the cover, take it in hand, and then ensure that the sleep goes seriously. Tight situations and dialogues, writing slide, little space to descriptions, the narrative of Avati flows as Kezich says, "like a tap running." Perhaps the morning will come too soon, it will need another sleepless night to finish the volume. And then jump, and then only on film.

Michelangelo Pasini