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CLINT EASTWOOD

Author: Giulia Carluccio (ed. a) Publisher: Marsilio, Venice, 2009 Collection: Elements Pages: 172 Format: 13.5 x18, 5 Price: € 16.50 Language: Italian

Index: The Cinema of Clint Eastwood. Questions, paradoxes, film , Giulia Carluccio Pale Rider, Matthew Pollone Unforgiven, William Fisher A Perfect World, Vincenzo Buccheri Mystic river, Giulia Carluccio Million Dollar Baby, Giacomo Manzoli Footnotes equipment - Biography, edited by Matthew Pollone - Filmography, edited by Matthew Pollone - Bibliography, edited by Matthew Pollone

Take a figure like that of Clint Eastwood, with his back to over thirty feature film and who knows how many never to be an actor, a publication scrivetene comprehensive, complete, global economy after a long literature on, do it even milgiore way possible and you are sure you will read in a few . And who will storcerà the nose for the verbosity and complexity of the work. Take instead the last filmography between the classic American film, study it carefully and identifying the key issues bearing film, being well aware that the films selected highlight both the specificity of a single set that consistency inherent in it and make it a relatively short book. With this conception Giulia Carluccio, University of Turin, and Marsilio Publishing, addressing elements in the series a filmography and much dibattutta magma that Stone when analyzed with other approach. This volume contains, in addition to an intelligent introduction to the figure of Eastwood which places it within the definition of the best 'last classic, five papers studying many film director, without the arrogance to speak only of his masterpieces. Matthew Pollone in his Pale Rider studies the relationship between film genres in the production of starting Eastwood Pale Ride , as does William Fisher in his analysis of Unforgiven . Essays by Vincenzo Buccheri and Giulia Carluccio, respectively A Perfect World and Mystic River continue the work begun in the preface, trying to reposition and then further raising the film's director 'eyed ice' means a refutation of his as a purely classical approach. The two papers also anticipates what will tell Giacomo Manzoli in his work on Million Dollar Baby , a film to illustrate the curious and critical attitude towards the filmmaker discussions of socio-cultural American and its ability to coexist in a single, coherent, filmography, characters the margins of society and (anti) heroes contradictory. All enclosed in a box simple but elegant, with black and white photos but sharp, pocket size and price abbordabilissimo. Troviamogli a difettuccio by: Notes are not footnotes but in the end of the book, making it occasionally uncomfortable reading. Michelangelo Pasini