Seeking
seeking an order seeking an order
a perfect God in the universe.
Fly
imagination flies to cover every hole
a logical insanity.
Sunday, August 29, 2010
My Platelet Count Is Low But Mpv Is Normal
Notes youth in music
Seeking
seeking an order seeking an order
a perfect God in the universe.
Fly
imagination flies to cover every hole
a logical insanity.
Seeking
seeking an order seeking an order
a perfect God in the universe.
Fly
imagination flies to cover every hole
a logical insanity.
Monday, August 23, 2010
Catchy Phrase For Marijuana
Shohei Imamura
|
 Author: James Quandt (ed.) Size: 15 x 21 | Indice : | Released on the occasion of a retrospective Shohei Imamura (1926-2006), the book in question traces its career from the beginning, "the court" Ozu's up to the Palme d'Or obtained in 1983 with The Ballad of Narayama . However, the schizophrenia of a split between volume monograph ("one author writes about a topic") and critical anthology "polyphonic" disturbs the linearity of the criterion of chronological order chosen by curator James Quandt, since the majority of interventions consists of a total budget of the work of Imamura, the reader will in fact caught in a recursive structure whose repetitive (often-content-theme) inevitably complicate the use of the book . On the other hand, the grueling "eternal return" of the discourse on post-war decades is well suited obsessive use of flashback to the base of films like Entomological Chronicles of Japan (1963), making a coherent essay " messy messy book about movies. " In this view, many points of interest are revealed. Among them I found particularly stimulating and worthy of further study of the Japanese director's will to free his films since "teaching intellectual" of Ozu, the 1926 class filmmaker considered a "construction" Western (See Transcendental Style in Film by Paul Schrader ) not to be confused with the movie (and "soul"), Japan tout court. Michael Guarneri |
Wednesday, August 4, 2010
7st-dh-005 Driver Letöltés
Semantics and gestures Truzzi metropolitan
A group can be defined as such if people who are part of shared habits, mannerisms, expressions of a common culture. The use of a certain kind of language, the presence of a certain type of role models and aspirations, then allow to identify the right group of individuals.
Why then do an analysis of semi-serious way of being of different social groups that "work" in Turin reality?
begin the analysis by the group easier and Chiasson, that in some ways more direct in its course of action.
This group is identified in various parts of Italy in various ways in the 'hinterland of Turin, a' typical member is classified as "Tarro" or "Zarro" or more commonly "Truzzi. The
Truzzi normally has an 'aged between 14 and 20 years before he has sufficient autonomy to show its full potential, then, less than pathological cases, it becomes something else.
E 'characterized by a very particular way of speaking, distinctive, and his language was born in linguistic melting pot that is our city, particularly from the merger of the ways to express the 70 youth (for instance, masterfully interpreted by those first Verdone ...) and expressions common in southern Italy.
There is, for example, an improper use of the conjunction "that" (ie stories, "" I mean ..."), along with a nasal condition and very long pauses between one word and another, spaces usually filled by extending the last vowel ("iooo ... nooo .. I'm dating a girl, nooo ..."), or adding filler words (eg words, fuck that chocolate, so that stories. ..).
a southern tradition is the use of the word "fuck" that loses its value definition vulgar male sexual organ to become a good word for every occasion, almost a conjunction when used in place of "ie" ("I went there no one was watching me fuck and ... bad, but I fuck .... .... the more I looked at him so bad. "), or the classic expression of wonder and surprise (" fuck "or" fuck what a story! ").
A 'of the other features of the slang phrases Truzzi is to use the "no" how to strengthen the sentence that precedes it, rather than as a negation: "I mean I went there ... no ... and I've said of things ... no ... and he looked bad!).
deserve a speech in Apart from the words and colorful expressions specially minted by the group, ranging from "You're cyst", used in place of the more common "careful" to "What Ciocco", used in a positive tone of wonder, since "I mean that history" Expression vaguely rebellious against the cosmic order as "Uncle Fa" and "Porcoddue.
With regard to behavioral patterns, the Truzzi is very social, connected closely to the group of ten or twelve people to which it belongs, which normally supports the venues, which generally bar or game rooms in which the various groups spend most of free time, are places to meet, exchange, the group recognized as a territory own.
Rather interesting are the patterns of communication Truzzi, it is addressed to his fellow men (members of his group) by name. All the others are
apostrophe with a generic "Ou" or a heartfelt "Hey kind."
With regard to relations with the opposite sex, you can record one of the few behavioral differences between male and Truzzi Truzzi female (or Truzzi), the male is undoubtedly Truzzi hunter, talks a lot, it shows his physical strength to Luna Park, pretending to hit the "girl". The
Truzzi is more reflective, accepting the court, laughing and showing his approval or by returning the blows. If the courtship has success "type with no ... you put the girl and fuck ... no ... it's a nice girl ..... the chocolate begins to run with friends .... and no kind of life continued. "
Finally, Truzzi emeriti scholars have proposed a classification of the various aspects of this multifaceted phenomenon based on the color of a typical piece of clothing: the bomber. The
Truzzi normally wears the blue bomber, unlike the Truzzi who prefer green. The "Truzzi alternative" as the preference with the bomber or bombers bordeaux canon worn backwards (putting out the delicate orange filling).
Truzzi The leftist-inspired bomber wearing red, "Truzzi dark" predominantly uses in contrast to the black bomber "Truzzi militarist" who prefers the bomber camouflage. 
A group can be defined as such if people who are part of shared habits, mannerisms, expressions of a common culture. The use of a certain kind of language, the presence of a certain type of role models and aspirations, then allow to identify the right group of individuals.
Why then do an analysis of semi-serious way of being of different social groups that "work" in Turin reality?
begin the analysis by the group easier and Chiasson, that in some ways more direct in its course of action.
This group is identified in various parts of Italy in various ways in the 'hinterland of Turin, a' typical member is classified as "Tarro" or "Zarro" or more commonly "Truzzi. The
Truzzi normally has an 'aged between 14 and 20 years before he has sufficient autonomy to show its full potential, then, less than pathological cases, it becomes something else.
E 'characterized by a very particular way of speaking, distinctive, and his language was born in linguistic melting pot that is our city, particularly from the merger of the ways to express the 70 youth (for instance, masterfully interpreted by those first Verdone ...) and expressions common in southern Italy.
There is, for example, an improper use of the conjunction "that" (ie stories, "" I mean ..."), along with a nasal condition and very long pauses between one word and another, spaces usually filled by extending the last vowel ("iooo ... nooo .. I'm dating a girl, nooo ..."), or adding filler words (eg words, fuck that chocolate, so that stories. ..).
a southern tradition is the use of the word "fuck" that loses its value definition vulgar male sexual organ to become a good word for every occasion, almost a conjunction when used in place of "ie" ("I went there no one was watching me fuck and ... bad, but I fuck .... .... the more I looked at him so bad. "), or the classic expression of wonder and surprise (" fuck "or" fuck what a story! ").
A 'of the other features of the slang phrases Truzzi is to use the "no" how to strengthen the sentence that precedes it, rather than as a negation: "I mean I went there ... no ... and I've said of things ... no ... and he looked bad!).
deserve a speech in Apart from the words and colorful expressions specially minted by the group, ranging from "You're cyst", used in place of the more common "careful" to "What Ciocco", used in a positive tone of wonder, since "I mean that history" Expression vaguely rebellious against the cosmic order as "Uncle Fa" and "Porcoddue.
With regard to behavioral patterns, the Truzzi is very social, connected closely to the group of ten or twelve people to which it belongs, which normally supports the venues, which generally bar or game rooms in which the various groups spend most of free time, are places to meet, exchange, the group recognized as a territory own.
Rather interesting are the patterns of communication Truzzi, it is addressed to his fellow men (members of his group) by name. All the others are
apostrophe with a generic "Ou" or a heartfelt "Hey kind."
With regard to relations with the opposite sex, you can record one of the few behavioral differences between male and Truzzi Truzzi female (or Truzzi), the male is undoubtedly Truzzi hunter, talks a lot, it shows his physical strength to Luna Park, pretending to hit the "girl". The
Truzzi is more reflective, accepting the court, laughing and showing his approval or by returning the blows. If the courtship has success "type with no ... you put the girl and fuck ... no ... it's a nice girl ..... the chocolate begins to run with friends .... and no kind of life continued. "
Finally, Truzzi emeriti scholars have proposed a classification of the various aspects of this multifaceted phenomenon based on the color of a typical piece of clothing: the bomber. The
Truzzi normally wears the blue bomber, unlike the Truzzi who prefer green. The "Truzzi alternative" as the preference with the bomber or bombers bordeaux canon worn backwards (putting out the delicate orange filling).
Truzzi The leftist-inspired bomber wearing red, "Truzzi dark" predominantly uses in contrast to the black bomber "Truzzi militarist" who prefers the bomber camouflage.
Tuesday, August 3, 2010
Birthday Cards Of Motorcycles
Toccata and Fugue
William was, as usual, too optimistic when he realized a few months later, found himself doing budgets of its past and to plan its future in the medium term. He happened to do so only in times of dire crisis, when, to forget the sadness of everyday life, project its image to a future full of joy and satisfaction.
He imagined himself as the leader of peoples, or to Oslo to collect a prize, Nobel, or in Hollywood, surrounded by beautiful women, and thought how sad it was the life of Helen, holed up in a corner of the world to cry about whether he had lost, she could have been the woman at the side of that demi-god!
Just when you thought that William, after all, Elena could not condemn the poor to such a future of suffering, appeared on the scene Mimi.
Probably, dear readers, you may have noticed that I delight in describing my characters as the actors who play the roles of theater, this is because I am convinced that everyone, even away from the stage or literary fiction, interpreting roles, more or less consolidated.
also describe the characters in broad terms it is much easier for me and a lot less tedious for the poor reader. So the Guru, who has the role of the young ladies 'man and is the archetype of' the cunning man is a completely defined, and if you had to describe how it came into reality in my mind should I use for pages and pages to revive the life experiences, sorrows, probably getting the same result. And then the Guru is the Guru and becomes only when Tony leaves his role. Same goes for Sinbad, the philosopher of 'Absurd, the Engineer.
special regard only to the reserve of the William and myself is in this character, when he lives his life without interpreting his characters, and when he does become the psychologist or Butterfly. In the same way the characters are made to live more closely with William, we say that in this story William is the center of gravity and the other characters (including William) purchase the rank of 'beings' according to their way of being against of this center.
The purpose of this discussion is to try to overcome the embarrassment in the definition of the character of Mimi.
When was supposed to be a frail woman, at the mercy of a harsh and unforgiving world, would be a Lucia di Manzoni and was reactivated in William the protective instincts of the father or older brother. Compared to 'hypothetical Lucy, William was the psychologist.
But then, in the space of my imagination that acts as a breeding ground for the characters, was born a figure that I might call the archetype of the evil of women, strong-willed, strong and sensual. It would have been a Messalina or a novel Salome, able to drag races of men to his will. Compared to Salome, William would try to be Butterfly. I then decided to create
Mimi, an 'explosive fusion of Salome and Lucia, because it is high time to raise William.
It was said that William is very busy doing the accounts of his life, because now the role of the psychologist also permeated the relationship with himself, William ideally lay in a bed, and carefully analyzed.
He found it to be terribly attracted to women who are very self-centered, able to draw upon himself the attention of all the boys and this contrasted strongly with his jealous nature, and his "stories" would always be troubled. Decided in a solemn manner not to fall in love more than self-centered women.
also noted the ease in establishing intimate relationships with people of 'other sex, he began to think it would be better to prolong the courtship phase of a dead weight instead of jumping on any possible opportunity. This is because he thought that the memory of the period of falling in love can keep together a pair at a time when the relationship gets a little 'cooler.
Finally, he noted that the choice of partners tended to unconsciously follow his desire to escape and sought women with whom it was possible to escape from his world to rebuild elsewhere. He would not have looked more women living alone or disagree with the family because, in the first case, he faced the competition of dozens of men (in fact, that thought just a man meets a woman who lives alone now thinks it's an easy woman ), the second could not long compete with the family.
emboldened by the feeling of having finally resolved their relationship problems with men, William synthesized his thoughts with the slogan (which is simplistic compared to the complexity of his argument) "Enough with the women self-centered, easy and free!", without considering that it eliminated its sights ninety-nine percent of girls available.
Regardless of the correctness of his analysis, William was supposed to take a thousand miles away from Mimi, the girl, in fact, perfectly embodied the context of 'danger' just drawn.
They had met a few months earlier, for a change to a night singer in the Parco del Valentino, William was to 'highlight of his great love for Helen, and he wanted to kiss her and hug her all the time. But this result could not be do and then was limited to around her, trying not to show his impatience. Mimi was at the height of his story 'love with a guy, despite his passionate feelings for Helen, our hero could not help but feel a certain kind of attraction to Mimi, with the feeling that their idyllic relationship with their partners would not last long. That evening, however, erased from the mind that thought.
That kind of pull back on a Sunday afternoon at the home of Sinbad.
Mimi was in crisis "by neglect" and the same is true of William, however, that he intended to visit the same day his beloved Helen, the prospect of a less probable recovery.
- Why do not you sit closer, you do not eat mica! - He began timidly Mimi seeing that William was a little on her. The boy did not repeat the call twice and warmed by the warmth of her curvy side. For that afternoon
William forgot his ills and, exalted, extolled Mimi in a crescendo of enthusiasm that was not known for months. He decided to stay for dinner with Mimi and good company.
William can not understand his feelings and, pacing nervously, waiting for Mimi in the door. Mimi is very nice, fluffy hair that has come down on a face capable of expressions very engaging in similar compelling is her body that stands proud in spite of the large sweaters.
He also likes how he circuit, desired, conquered, is pervaded by a subtle enhancement of the 'explorer who, after passing a tough mountain, stands before a beautiful landscape.
But unlike after the explorer, a subtle tension creeps into the stomach. And do not know why.
Mimi, on the other hand, experiences a similar feeling, as he confirmed a few hours later.
The evening's program included the strengthening of a relationship that was born two nights before: William had managed to take her home to see Mimi the talk that circulated in the company for a few weeks. Goods informed swore that Mimi had a crush on William stratospheric and our favorite is a firm believer of the theory "Chiodo sciacca nail" or "When you fall from horse must now go back". So Mimi could be the best way to forget Helen, which was still dearly love, also because the girl was (and still is) very interesting.
Once the house had been speaking of Mimi and Butterfly William had decided to break all the delay kissing.
For some 'of women in this part of our butterfly had found a surefire way to overcome shyness: feeling very stupid in any person who declares eternal love (The only exception was Elena) just had a vague hint of appeasement by the partners, threw themselves on him, kissing her passionately.
did not have to say anything, the gesture was a 'clear sign of satisfaction, and no date had kicked off with the classic knee in ...
The technique worked well for the passionate kiss that Mimi, as they said, seemed not to wait for another, and William returned triumphantly home with the promise of an appointment within two days.
I have already spoken of my embarrassment in describing Mimi: I think the most careful readers have also noticed from the disorder with which I am describing this adventure of William. Actually I can not just imagine how Mimi would feel at that moment when he leaves the door of his house and ours is so absorbed in thought.
You can guess, you could feel what he feels and the flow of his emotions, but you can not fully understand ... 
William was, as usual, too optimistic when he realized a few months later, found himself doing budgets of its past and to plan its future in the medium term. He happened to do so only in times of dire crisis, when, to forget the sadness of everyday life, project its image to a future full of joy and satisfaction.
He imagined himself as the leader of peoples, or to Oslo to collect a prize, Nobel, or in Hollywood, surrounded by beautiful women, and thought how sad it was the life of Helen, holed up in a corner of the world to cry about whether he had lost, she could have been the woman at the side of that demi-god!
Just when you thought that William, after all, Elena could not condemn the poor to such a future of suffering, appeared on the scene Mimi.
Probably, dear readers, you may have noticed that I delight in describing my characters as the actors who play the roles of theater, this is because I am convinced that everyone, even away from the stage or literary fiction, interpreting roles, more or less consolidated.
also describe the characters in broad terms it is much easier for me and a lot less tedious for the poor reader. So the Guru, who has the role of the young ladies 'man and is the archetype of' the cunning man is a completely defined, and if you had to describe how it came into reality in my mind should I use for pages and pages to revive the life experiences, sorrows, probably getting the same result. And then the Guru is the Guru and becomes only when Tony leaves his role. Same goes for Sinbad, the philosopher of 'Absurd, the Engineer.
special regard only to the reserve of the William and myself is in this character, when he lives his life without interpreting his characters, and when he does become the psychologist or Butterfly. In the same way the characters are made to live more closely with William, we say that in this story William is the center of gravity and the other characters (including William) purchase the rank of 'beings' according to their way of being against of this center.
The purpose of this discussion is to try to overcome the embarrassment in the definition of the character of Mimi.
When was supposed to be a frail woman, at the mercy of a harsh and unforgiving world, would be a Lucia di Manzoni and was reactivated in William the protective instincts of the father or older brother. Compared to 'hypothetical Lucy, William was the psychologist.
But then, in the space of my imagination that acts as a breeding ground for the characters, was born a figure that I might call the archetype of the evil of women, strong-willed, strong and sensual. It would have been a Messalina or a novel Salome, able to drag races of men to his will. Compared to Salome, William would try to be Butterfly. I then decided to create
Mimi, an 'explosive fusion of Salome and Lucia, because it is high time to raise William.
It was said that William is very busy doing the accounts of his life, because now the role of the psychologist also permeated the relationship with himself, William ideally lay in a bed, and carefully analyzed.
He found it to be terribly attracted to women who are very self-centered, able to draw upon himself the attention of all the boys and this contrasted strongly with his jealous nature, and his "stories" would always be troubled. Decided in a solemn manner not to fall in love more than self-centered women.
also noted the ease in establishing intimate relationships with people of 'other sex, he began to think it would be better to prolong the courtship phase of a dead weight instead of jumping on any possible opportunity. This is because he thought that the memory of the period of falling in love can keep together a pair at a time when the relationship gets a little 'cooler.
Finally, he noted that the choice of partners tended to unconsciously follow his desire to escape and sought women with whom it was possible to escape from his world to rebuild elsewhere. He would not have looked more women living alone or disagree with the family because, in the first case, he faced the competition of dozens of men (in fact, that thought just a man meets a woman who lives alone now thinks it's an easy woman ), the second could not long compete with the family.
emboldened by the feeling of having finally resolved their relationship problems with men, William synthesized his thoughts with the slogan (which is simplistic compared to the complexity of his argument) "Enough with the women self-centered, easy and free!", without considering that it eliminated its sights ninety-nine percent of girls available.
Regardless of the correctness of his analysis, William was supposed to take a thousand miles away from Mimi, the girl, in fact, perfectly embodied the context of 'danger' just drawn.
They had met a few months earlier, for a change to a night singer in the Parco del Valentino, William was to 'highlight of his great love for Helen, and he wanted to kiss her and hug her all the time. But this result could not be do and then was limited to around her, trying not to show his impatience. Mimi was at the height of his story 'love with a guy, despite his passionate feelings for Helen, our hero could not help but feel a certain kind of attraction to Mimi, with the feeling that their idyllic relationship with their partners would not last long. That evening, however, erased from the mind that thought.
That kind of pull back on a Sunday afternoon at the home of Sinbad.
Mimi was in crisis "by neglect" and the same is true of William, however, that he intended to visit the same day his beloved Helen, the prospect of a less probable recovery.
- Why do not you sit closer, you do not eat mica! - He began timidly Mimi seeing that William was a little on her. The boy did not repeat the call twice and warmed by the warmth of her curvy side. For that afternoon
William forgot his ills and, exalted, extolled Mimi in a crescendo of enthusiasm that was not known for months. He decided to stay for dinner with Mimi and good company.
William can not understand his feelings and, pacing nervously, waiting for Mimi in the door. Mimi is very nice, fluffy hair that has come down on a face capable of expressions very engaging in similar compelling is her body that stands proud in spite of the large sweaters.
He also likes how he circuit, desired, conquered, is pervaded by a subtle enhancement of the 'explorer who, after passing a tough mountain, stands before a beautiful landscape.
But unlike after the explorer, a subtle tension creeps into the stomach. And do not know why.
Mimi, on the other hand, experiences a similar feeling, as he confirmed a few hours later.
The evening's program included the strengthening of a relationship that was born two nights before: William had managed to take her home to see Mimi the talk that circulated in the company for a few weeks. Goods informed swore that Mimi had a crush on William stratospheric and our favorite is a firm believer of the theory "Chiodo sciacca nail" or "When you fall from horse must now go back". So Mimi could be the best way to forget Helen, which was still dearly love, also because the girl was (and still is) very interesting.
Once the house had been speaking of Mimi and Butterfly William had decided to break all the delay kissing.
For some 'of women in this part of our butterfly had found a surefire way to overcome shyness: feeling very stupid in any person who declares eternal love (The only exception was Elena) just had a vague hint of appeasement by the partners, threw themselves on him, kissing her passionately.
did not have to say anything, the gesture was a 'clear sign of satisfaction, and no date had kicked off with the classic knee in ...
The technique worked well for the passionate kiss that Mimi, as they said, seemed not to wait for another, and William returned triumphantly home with the promise of an appointment within two days.
I have already spoken of my embarrassment in describing Mimi: I think the most careful readers have also noticed from the disorder with which I am describing this adventure of William. Actually I can not just imagine how Mimi would feel at that moment when he leaves the door of his house and ours is so absorbed in thought.
You can guess, you could feel what he feels and the flow of his emotions, but you can not fully understand ...
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